Associate Editor-in-Chief Joey Marmaud reflects on the inspiration and ethos of the Spring 2023 edition of Coulture.
Features team member Indigo Labida explores the theoretical underpinnings of anti-fashion and the future of the sub-category.
“The mediums of TV and film are suffering under corporate control, where what is culturally valuable may be stifled for what is monetarily valuable.”
Earthtones was created in the spring of 2022 as a collective for artists of color of all skills and mediums to grow and practice their craft together in an atmosphere responsive and flexible to their needs.
“The desire for virality has led to a breakdown of previously respected boundaries and a disregard for privacy and security.”
“Something vaguely religious, vaguely insane and inevitably the result of a victim of serotonin syndrome. These accounts are often diaphanous and purposely indecipherable by nature.”
The Cobbler is a short film written and directed by Tyson Edwards, produced by Keller Huffman and starring Dillon Cavanagh and Caroline Cochrane.
Ahead of its premiere at the Carolina Film Association showcase on April 23, Coulture’s editor-in-chief Clay Morris spoke with some of the film’s cast and crew about the process of making the film and what viewers can expect to see in the horror-comedy.
The British designer, Queen of Punk style, died on December 29, 2022.
Antifragile Zine, above all, is a diary for Gen Z, capturing ugly, raw, real adolescence outside of whitewashed mainstream media. Keung and Shipon know from their own experiences as Asian-American artists that mainstream media overlooks marginalized youth’s experiences. Antifragile aims to correct that.